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He's also had time to appear on a number of other shows, including "Mad About You," "Huff" and "Friends," and the 50-year-old actor had notable performances in 1994's "Quiz Show" and 1996's "The Birdcage."Most of all it had a lesser-known actress named Julia Roberts, whose radiant smile and coltish charm lit up the screen. Some critics complain the Garry Marshall film, whose female lead is an unrefined prostitute rescued from the streets by Richard Gere's elegant millionaire, degrades women and glorifies materialism.

"'Pretty Woman' depicts a world where everyone is either a card-carrying member of the corporate caste or an obliging subordinate ...

It is obsessed with things (hotel suites, private jets, fancy clothes) and encourages the audience to share its obsession with things."Later, she negotiates the terms of her relationship with Edward and is quick to speak up when she feel she's being mistreated.

Earlier this month, the British government announced it will introduce a bill next year legalizing gay marriage, though it would ban the Church of England from conducting same-sex ceremonies.

In France, President Francois Hollande has said he would enact his 'marriage for everyone' plan within a year of taking office last May. But the country has been divided by vocal opposition from religious leaders, prime among them Bernheim, as well as some politicians and parts of rural France.

Hector Elizondo plays hotel manager Barney Thompson, who first dislikes Roberts' character but eventually becomes a kind of father figure to her.

Elizondo, a hard-working character actor, had been in numerous TV shows as well as such movies as 1974's "The Taking of Pelham One Two Three," 1980's "American Gigolo" (with Gere) and a number of films by "Woman" director Garry Marshall.

On the other hand, the movie implies that by virtue of her beauty, drive and apparent drug-free lifestyle, Roberts is the exceptional sex worker who -- unlike her pal Kit, for example -- deserves a better life. "You get the sense that she's not the norm, and that allows us to get invested in her while not necessarily worrying about the welfare of other women who fall into the (sex worker) stereotype.""'Pretty Woman' may be a fantasy but it's a deeply sexist, consumerist fantasy," wrote Rachael Johnson last year for Bitch Flicks, a feminist movie site.